I’m an Emmy-nominated editor insatiably drawn to the energy of unscripted and documentary storytelling.

I thrive on high-volume productions where the footage is sprawling and chaotic. With a BFA in Film Production from Chapman University and more than fifteen years in post, I’ve cut for Emmy-winning series like Deadliest Catch and shaped stories for National Geographic, Discovery, CNBC, and Vice. I move quickly to find the spine and craft something clean, character-driven, and true. Highly stylized sequences and sharp action montages are part of my toolkit, but they’re always in service of story, not just spectacle. My approach is lean, sound-forward, and paced to keep momentum while protecting nuance.

I’m collaborative, steady under pressure, and responsive to notes. Organized timelines and clear communication mean producers get reliable delivery and handoff-ready projects without the drama.

  • Ability to manage the entire post-production process, from ingesting raw footage to delivering the final product, ensuring efficiency and meeting deadlines.

  • Experience editing for various formats such as broadcast television, streaming platforms, and social media, with a keen understanding of platform-specific requirements.

  • Proficiency in industry-standard tools such as Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, and After Effects

  • Skills in sound design, audio mixing, and color correction/grading to enhance the overall quality and polish of the content.

Clients include: